主标题
敕勒歌
Chi Le Ge - "Song of the Prairie"
副标题
马头琴.哈斯巴根
Morin Khuur Hasibagen
听见热情 血性 张扬与荒凉
Discovering the magical sounds of Mongolia
封底广告语
敕勒川，阴山下。
天似穹庐，笼盖四野。
天苍苍，野茫茫，
风吹草低见牛羊。
A4海报广告语
The Mysterious Sound of the Mongolian Horse-head Fiddle
Songs and dances from the Grasslands of Inner Mongolia
The most wonderful sounds of Mongolia
Beneath the vault of sky, under the Yin Mountains,
Far and wide spread the Chile plains.
Boundless, the Sky so blue;
The Wilderness seems boundless, too.
North winds bend the grasses low,
And we see the herds of cattle and sheep.
狂沙劲草四野低徊 苍茫山川上下穿行
是归途，也是游云，行走在一望无际里
眼中只看到日月星辰
耳畔是祖先雄浑的低吟
在大草原，在戈壁
狂沙卷起了岁月
郁郁的风刮过脸庞
激起满腔欢唱的豪情
是对天地苍茫的景仰
是对辽阔历史的回望
遥远的蒙古利亚
寄托了荒凉和神秘的渴望
马头琴弹拨
送出心中的话
只对着迎面而扑的风砂诉说
辽阔的草原，奔腾的河水。
归来的大雁，翱翔的雄鹰。
那是故里的样子，那是梦中的呓语。
那是漂泊的孩子盼望回去的地方。
听，那是妈妈的呼唤。听，那是草原的期盼。
听，那是嗒嗒的马蹄，听，那是吱吱的车轮。
看，那是洁白的羊群，看，那是飞奔的骏马。
看，那是骄傲的白鹿，看，那是孤独的苍狼。
蒙古高原的歌声和悠扬的琴声。
似乎穿越了空间，渗透了灵魂。
漂泊在外的蒙古孩子，他的根深深扎在蒙古高原。
这是一个民族的信念，是心底最深处的记忆。
这是一个民族的情怀，更是日夜渴望归去的故土。
不干胶广告语：
马头琴、长调、呼麦、叶克勒、萨满鼓齐奏合鸣
蒙古利亚的歌声和琴声，奔放、悠远，穿越时空和灵魂
聆听来自图瓦、布里亚特、蒙古国、内蒙各地古老民谣
感受一个游牧民族和一块广袤地域的记忆哼唱
沙漠的粗犷、辽阔，充满神秘与向往
当弦音划破苍凉，一声声呜咽，激荡草原的热血
随远古之风吹掠马鬃，俯仰天地，追寻历史的遗迹
同期录音大师李大康于数百平米大录音棚精湛录制
制作人叶云川倾心制作优质风情民族音乐
瑞鸣音乐，全力打造独特艺术，传承世界文化遗产。
前言：
辽远的呜咽，是风，还是草原故土最深处的呼唤？
蔚蓝的天空下，有成群的牛羊，一望无际的草原，这是对故土深切的思念？
远走的人和游走的羊群，踏着蒙古高原古老的踪迹，悠然而去。马头琴的琴声却从没有尽头的草原上响起，回荡在山谷，飘荡在湖面，游荡在天空，随着风，飞向大漠戈壁，深远，悠扬。
马头琴，又叫弓弦潮尔、马尾胡琴、弓弦胡琴，是蒙古民间弓弦乐器，蒙语为“Choor”，琴体木制，长约一米，琴弦两根，音色厚重圆润，给予听觉苍凉感，音色与大提琴较为接近。马头琴弦粗，音箱大，音量也大，其构造较特殊，琴颈上端马头无指板，琴颈无品格与泛音点，弦悬空。演奏技巧丰富，如打指、滑音、揉弦、传统泛音演奏法、双音等，在弓法上又有回抖弓、长弓、快弓、跳弓等。
相传在很久以前，有一位名叫苏和的少年，他有一匹白色的骏马，在一场暴雨来临前，小白马为了救它的主人，自己死在了大雨中。这位名叫苏和的年轻人特别思念他的小白马，便用马尾做了琴弦与琴弓的弓毛，用马的腿骨做了琴颈，头骨做了琴箱，制成二弦琴，并按照小马的模样雕刻了马头装在琴颈琴头部，马头琴因此得名。马头琴在成吉思汗期间便已流传民间，多见于独奏、齐奏，长、短调配乐，呼麦配乐，蒙古宫廷潮林哆配乐等，在现代音乐中，常与多种电声乐器、多民族原声乐器、西洋管弦、键盘等乐器配合，并融洽无间。
马头琴带着广阔草原的声音，回荡在无际的天空中，从美丽富饶的斡难河开始，一直向西远去。阿拉什河畔，锡林郭勒大草原，阿拉善山口，河套湾高原，马头琴那浑厚、甜美的音色，飘荡在广袤的大地和天空，令人产生无限遐想，似低吟浅唱，又似在诉说千年的故事。蒙古草原的马头琴艺人们，将这一有生命有灵魂的乐器，从草原的最深处带到充满钢筋水泥的城市里，每每听到拉响的马头琴，总感觉身归草原，心驰四野，满眼尽是巍峨的山脉，湍流的河水，数不尽的牛羊和奔跑的骏马。那些音符，像是草原故土的召唤，深沉，厚重，又像是古老回忆的抚慰，温柔，甜蜜。
此次创作录制，以马头琴演奏为基础，融入蒙古古老弓弦乐器潮尔、叶克勒，三弦弹拨乐器陶布秀尔，口弦琴、萨满鼓以及竹笛、竖琴、古筝、班卓琴多种乐器，共同诉说在外漂泊的蒙古游子对故乡那片土地深切的思念，共同诉说每一个草原儿女对故土的一份崇敬。
著名音乐制作人叶云川诚邀著名青年马头琴演奏家哈斯巴根，携手来自内蒙古及北京的多位优秀艺术家演绎各地蒙古古老歌谣。录音大师李大康倾情投入，于数百平米录音大棚，悉心同期录制，前期录制后期混音反复调整，力求作品尽善尽美，为您献上一场古老蒙古的音乐盛宴，带来来自游牧民族的热情豪放的独特声音。
此刻，徜徉在一片辽远宽广而古老的音乐时空里，暂时忘却风霜的侵袭，一步黄沙，一阵疾风，一声低啸，一番追寻，直奔大漠最深邃处，领受酷寒和热血的洗礼。
Foreword:
I hear a distant sighing; was it the wind or a memory deep in my heart?
I dream of sweeping prairies, under a sky of endless blue and ancient deserts of shifting sand.
The Mongolian people, the sons and daughters of the grasslands still tend to their flocks and follow the old paths trod by their ancestors.
Morin Khuur – the Voice of the Grasslands
From deep on the endless steppe, comes the sound of the Morin Khuur; ancient, mysterious, sounding like a dark relic from a thousand years ago, a voice emerging from a black sky; but also noble and unrestrained, its heroic tones soaring over the boundless prairie.
The moriny tolgoitoi huur (fiddle with horse's head) commonly known as the Morin Khuur, is a traditional Mongolian bowed stringed instrument and is considered a symbol of the Mongolian nation. A descendant of the ancient Chuurqin, or “Chao’er” or “Choor”, the Morin Khuur has been known under many names throughout its long history, from references to a “Hun Khuur” in the “Hou han shu” (“Book of the Later Han” complied in the 5th century), “Mawei” or “horse-tail” Huqin during the Northern Song dynasty, to “Matouqin” in contemporary Mandarin nomenclature. The instrument consists of a trapezoid wooden-framed sound box to which two strings are attached. It is played held between the musician's legs like a cello.
According to legend, the Morin Khuur was created when a wicked lord killed a white horse with an arrow. The horse's owner, Suhe, was filled with sorrow and missed his pet day and night. One night the dead horse came to him in a dream, and said, "Make an instrument with my body. Then I can accompany you forever and you will not feel lonely." So the Morin Khuur was made, using the horse's bone as its neck, horsehair for strings, hide to cover the wooden soundbox, and its scroll carved into the shape of a horse's head.
Listen to the rich, long tones of the Morin Khuur; its sweet sounds can fill an infinite space; its resonance filled with romance and longing. Its sonorous voice can give expression to every emotion. We hear the verdant grasslands, the flocks of sheep, the rising sun, and even the sound of the flowers blooming; a deeply felt, union of heaven and earth. When it is played softly, the Morin Khuur reveals nature’s secrets, and paints scenes of the limitless vistas of the prairies, wild and untamed. It unfolds its stories in song, soaring and expressing each feeling and nuance without artifice. It is impossible to resist its long, winding melodies as they weave their way around you, holding you in an intimate embrace. No sooner have you succumbed to its hypnotic charms than it swings into a lively dance, brimming with life and the spirit of lusty celebration. The herdsmen still say, "There can't be songs without accompaniment by a Morin Khuur."
The sound of the Morin Khuur has its roots deep in the Mongolian soil. We hear the vast desolate wastelands, the harrowing sandstorms and the barren desert, and yet, its music embodies a sense of religious mystery; its plaintive strains accompanying the telling of epics and legends still echoing deep in our primal consciousness, and awakening deep memories and visions of unknown lands that beckon to us, calling us to explore their mysteries.
Its songs whisper to us the ancient secrets of the endless prairie and green grasslands under blue skies; or roar with the primitive power of a shaman’s ritual. Here, in this most inhospitable place, the proud people of the plains continue to celebrate the noble heritage of their ancestors. Even today, many still live the hard, nomadic life of shepherds, but when the clan comes rest for a few days, they celebrate with feasting and with music; rows of drums beat the rhythm while others clap their hands; the men wrestle and the young girls dance. And yet, the Morin Khuur is long a family treasure and talisman: its strings has stood guard over countless generations of the children of the grasslands, giving voice to their feelings and hopes and dreams, the maiden’s first blush and the power of a mother’s love. These are the songs and dances of the universal prairie… a prairie that belongs to everyone.
On this imaginary journey through the grasslands, you will hear the sound of the Morin Khuur, together with its more ancient cousin, the bowed Chao’er fiddle, the Topshur Lute, the Ikili Fiddle, Jew's harps, and shaman drums - the traditional instruments of the steppes, together with a banjo, an African djembe drum, and a Chinese Zheng, making beautiful music, full of rich flavor, deep emotional power and charm.
Renowned music producer Ye Yunchuan has invited the gifted Morin Khuur player Hasibagen and members of the Aurora Morin Khuur Orchestra to share their interpretations of classic Mongolian music from the past and present. Master recording engineer Li Dakang has lavished special care to perfectly capture the unique sound qualities of this hauntingly beautiful music.
Close your eyes and the steppes will come alive, as you dream of walking in the path of ancient nomads, or dancing at a Mongolian feast, or wandering beneath a sky of endless blue, gazing into the distant horizon as the wind whips through your hair.
1.故乡（即兴曲）
马头琴 潮尔 叶克勒 萨满鼓 呼麦 女声长调
故乡的土地是深沉、厚重的，故乡的土地是心中最圣洁的。马头琴结合潮尔、叶克勒，讲述故土千年的故事，呼麦，长调，交相辉映，是对故土那无法用言语诉说的思念，曲曲折折流淌在心河里，直涌上眼窝。
1. Home (Improvisation)
Morin Khuur / Chao'er / Ikili Fiddle / Khoomei /Shaman drums/ Female Long Song singer
From far away, comes the sound of voices; transparent, clear, and full of mystery, a sound that penetrates your soul, and resonates in your heart. Both male and female voices call out to each other, the air shimmering with the echoes of their song. There is a true sense of something magical about to happen when listing to this music.
2.金镯子（青海蒙古民歌）
马头琴 古筝 口弦琴 非洲鼓
远嫁的女儿，看着临行时母亲赠送的金镯子，泪水滴落，思念着家乡的山川，河流和草原，思念着家里辛劳的父母。口弦琴和筝的对话，让人感觉母亲始终守护在身边，而自己还安详地躺卧在母亲的怀中，从未远嫁，胸中这股温情却深切而厚重。
2. Gold Bracelet (Mongolian folksong from Qinghai)
Morin Khuur / Guzheng / Kouxian /African Drum
“Gold Bracelet” is a famous folksong from the Qinghai that tells the story of a girl who receives a golden bracelet from her parents on her 18th birthday. Qinghai has been a multi-ethnic region for nearly a thousand years and was once under Mongolian control from 1640 to 1724. In this version of the song, Morin Khuur, Zheng, Jew’s Harp and drums transform the famous melody – which was originally somewhat nostalgic and sad – into a vigorous dance of life.
3．罗阳姑娘（科尔沁民歌）
马头琴 竖琴
竖琴伴奏下，马头琴的琴声显得更为深沉，似在诉说对遥远家乡和心爱姑娘的思念。远眺那最遥远的地方，藏着故乡的风景。牛羊埋头吃草，心却埋首在当初深情脉脉的眼神里。多么渴望早日回到故乡，回到罗阳的身边。
3. Luoyang Girl (Inner Mongolian Khorchin folksong)
Morin Khuur / Harp
In this arrangement of the Khorchin folksong “Luoyang Girl” from southeastern Inner Mongolia, the Matoqin is accompanied by the harp, creating a soulful mood. The song tells of the hard life of an orphan girl, sent off to marry a distant uncle and her suffering under the harsh treatment of her jealous aunt. The mournful sound of the Motouqin perfectly captures the young girl’s fragile, bruised spirit.
4．乌拉勒吉（布里亚特民歌）
马头琴 陶布秀尔 萨满鼓
马头琴伴着萨满鼓，加上陶布秀尔，是夏天盛开在草原上像熊熊烈火一样的乌拉勒吉，是贝加尔湖边一道独特的风景，是离家时深深刻在心上的颜色，火红的颜色。
4. Buryat Flower (Buryat folksong)
Morin Khuur / Topshur Lute / Shaman drums
We begin with a short, virtuosic prelude that switches back and forth between soaring melodies and vigorous rhythmic episodes. Played to the accompaniment of the Shaman drum, and the Topshur Lute, this is a typical example of the bright style of Buryatian folk song. One can imagine the instruments, drums, and sonorous tunes echoing across the vast grasslands, as people sing and dance and beat upon the drums, in a spirit of jubilation.
5．可爱的海骝马（锡林郭勒长调）
马头琴 女声长调
马头琴的长调，浪漫悠长，向来都是曲中带情的。女声清亮辽阔的演唱，似在诉说一匹海骝马对家乡的思念，更是在诉说身在远方的人们，思念那片土地。一望无际的草原上，大声唱出心中的歌，勇敢表达自己的感情，感染着每一位漂泊者。
5. The Lovely Horse Rider (Inner Mongolian Xilinguole Region folksong)
Morin Khuur / Female Long Song singer
The Mongolian people have always believed that the Morin Khuur was a talisman, providing protection to its owner, while its sound had power and magic. For the Mongolians, the Urtyn Duu or “Long Song” evokes the vast open spaces of the steppes. Long songs are sung by women and men and are usually accompanied by the Matoqin.
6．初生的太阳（蒙古国民歌）
马头琴 吉他
马头琴缓缓地响起，就像天边第一道阳光慢慢照亮整片天空，心脏跟随着吉他的和弦起伏。静谧的清晨，面对远处的高山，极目远眺，望见那轮初生的太阳，缓缓升起，渐渐温暖，终于光芒万丈，普照大地。
6．The Newborn Sun (Mongolian folksong)
Morin Khuur / Guitar
The long, flowing melodies of the Morin Khuur blend harmoniously with the gentle rhythms of the guitar. We listen quietly, and imagine seeing the first glimpse of the sun on a bright, still morning, rising over the mountains far in the distance. The newborn sun slowly ascends, and we are warmed as the brilliant, pure rays shine down upon us.
7．阿拉什河（图瓦民歌）
蒙语歌词：锡林宝力日
潮尔 陶布秀尔 叶克勒 竹笛 萨满鼓 呼麦 和声
在唐努山和萨彦岭之间，流淌着一条名为阿拉什的河。潮尔深邃古老的声音，像是在诉说几百年来，被遗忘的唐努乌梁海那深壑般的伤口，空灵、悠远的歌声，吟诵着古老悠久的语言，似乎是在洗涤尘埃，净化心灵。静静流淌的河水，抚慰那伤口，抚平心中那份深切的思念。
7.Aras River (Tuvan folksong)
Mongolia Lyrics by：Xilinbaoliri
Chao'er Fiddle / Topshur Lute / Ikili Fiddle / Shaman Drum / Khoomi / Chorus
The combination of unique khoomi throat singing and ethnic musical instruments always add a religious mystique to the music of the region. Ethereal and distant, the singer recites in an ancient language; the gentle heart-beat rhythm plays in our minds over and over, washing off the dust of the everyday world, purifying the mind, and echoing deep within our hearts.
8．四季（科尔沁民歌）
潮尔 呼麦
一年四个季节交替更换，每当季节更迭时，脑海里浮现的便是科尔沁那富饶美丽的草原。渴望归去，但路途依然遥远，恍然间扬起古老神秘的音符，似是千年前回绕在心头的曲调。当潮尔和呼麦到了出神入化的地步，景和音已经融为一体，密不可分，仿佛这段音乐和这片故土一样，已经默然地存在了千年。
8. Four Seasons (Khorchin folksong)
Chao'er / Khoomei
Out of the endless deserts and vast desolate landscapes, ancient and mysterious tones arise, echoing across windswept plans as they have for thousands of years. The harmony of the Chao'er fiddle and khoomei throat singing become a near-spiritual experience, their eerie harmonies have integrated and inseparable with the ageless, unchanging desert.
9．天空（鄂尔多斯民歌）
马头琴 古筝 竹笛
此时的古筝和竹笛并不仅仅是两种乐器，它们是鄂尔多斯草原蓝色的天空和洁白的云朵，马头琴回响着对心上人的惦念。离家时，天空那一抹蔚蓝是他记在心尖上温柔的情意。
9 Sky (Inner Mongolian Ordos folksong)
Morin Khuur / Guzheng / Dizi
Blue skies and white clouds, green hills, and the beauty of nature is once again celebrated in this little tone poem. The Dizi flute and Zheng zither add their voices to the elegant melody of the Matoqin, evoking bird song and rippling waters, drawing the listener into the “sounds” of the prairie and gazing with wonder and yearning at the azure sky.
10．德恩吉图陶海（鄂尔多斯、伊克昭民歌）
马头琴 班卓琴 叶克勒 竹笛 萨满鼓
在稳健的萨满鼓的伴奏下，马头琴琴声由弱到强，似是马儿由远至近的脚步，在深情浪漫的小调氛围里，从草原那头漫步而来。行至欢聚点，人们和马儿一起愉快起舞，心随着节奏律动，打着节拍，旋转舞步，欢乐俏皮。
10. Denjitutaohai (Inner Mongolian Ordos folksong)
Morin Khuur / Banjo / Ikili Fiddle / Dizi / Shaman Drum
Beginning with a lyrical prelude for the Matoqin, the tempo abruptly changes and the vigorous rhythm of the shaman drum provides a vigorous accompaniment to a lively dance. One can almost hear the sound of horses’ hooves racing across the prairie, evoking the excitement of people dancing, and a spirit of communal joy.
11．苏伯岱（图瓦民歌）
马头琴 陶布秀尔 叶克勒 竹笛 萨满鼓
竹笛与陶布秀尔的前奏烘托出马头琴与萨满鼓的配合，看着黎明的第一道曙光从远处露出端倪，便献出最美的赞歌，缓缓演奏着；当夕阳的余晖沉入山的那边，所有的景象在心里放映，忧伤而充实。
11. Subutai (Tuvan folksong)
Morin Khuur / Topshur Lute / Ikili Fiddle / Dizi / Shaman Drum
In this lovely tone poem for Morin Khuur and Dizi flute, we meet Subutai (also known as Subedei), Genghis Khan's most brilliant general. Born the son of a humble Tuvan blacksmith, Subutai would rise to become the Great Khan’s most trusted adviser and is still revered as a national hero. The gently rocking rhythms on the Topshur Lute suggest the ambling gait of a horse wandering the lush green grasslands.
12．原野上鸣叫的雉鸟 （昭乌达民歌）
马头琴
马头琴的声音，有着一种魔力，可以穿透一切，将远在家乡的祝福，送到每一个漂泊在外的游子身边。长调的腔长高亢悠远，总是给人舒缓自由之感，平添一种浪漫多情。在悠扬的长调里，闭目总能浮现属于草原的一切，骏马、骆驼、牛羊、蓝天、白云、江河、湖泊，让心情变得平静而开阔。
12. Pheasants singing in the wilderness (Inner Mongolian Zhaowuda folksong)
Morin Khuur
An endless melody echoing from the distance conjures romantic visions of limitless vistas. Dreams of vast grasslands and prairies, noble horses, camels, cattle and sheep, blue skies, white clouds, the purest rivers, and crystalline lakes, calm the mind.
13．牧马人（蒙古国民歌）
马头琴 陶布秀尔 叶克勒 萨满鼓
马头琴与萨满鼓的前奏，像是草原上奔腾的马群，挥舞着套马杆的牧马人骑跨骏马，手拉缰绳，英姿飒爽。当叶克勒的声音出现时，这一番诉说终于到了最动情的时刻，曾经的少年牧马人，现在正不停地飘荡，只是心里一直在诉说，说他思念的生活。
13. The Wrangler (Inner Mongolian folksong)
Morin Khuur / Ikili Fiddle / Topshur Lute / Shaman Drum
With the beat of the shaman drum, and the galloping rhythm of the Morin Khuur, we are transported to a scene of nomadic horse wranglers riding across vast grassland. The Mongolians are among the most skilled equestrians in the whole world, and horse-riding is still a celebrated skill at Naadam, Mongolia's historic Olympics.
艺术总监/马头琴演奏者简介：哈斯巴根
著名青年马头琴演奏家。中国马头琴协会会员。中央民乐团合作乐手。“蒙古症”先锋乐团、“北方”当代蒙古音乐实验室、祖鲁乐队、呼狼乐团成员、联合创始人。波兰DAGADANA乐队合作乐手。1981年6月生于内蒙古赤峰市巴林右旗，11岁开始学习马头琴，2000年毕业于内蒙古大学艺术学院音乐系。留校任教至2007年，2007年～2008年年底任教于日本东京清水国明自然学校。2008年年底从日本归国，录制呼狼乐团首张原创马头琴曲专辑CD。现任教于中国音乐学院。演出经验丰富、多次获得国内外大奖。
作为国内青年马头琴演奏家，他应多位主办方参加奥迪英杰音乐汇、德国汉堡音乐节、香港艺术节、朱哲琴“世界 听见”系列演出等大型音乐节及各类大型演出活动。
Artistic Director and Morin Khuur soloist:
Hasibagen was born in June 1981 in Chifeng City, Balinyouqi, Inner Mongolia, and began study of the Morin Khuur at the age of 11. In 2000, he graduated from the Music Department of the Art Institute of Inner Mongolia University. Following graduation, he stayed on to teach there until 2007. From the end of 2007 to 2008 he taught at the Kuniaki Shimizu Camp in Tokyo, Japan. Following his return from Japan in 2008, he founded the “Call of the Wolf” band, and recorded their debut album.
Hasibagen boasts a wide-range of performing experiences and has received numerous awards for Morin Khuur performance including the prestigious "Se Rashi Morin Khuur Grand Prix Cup". He is a member of the Chinese Morin Khuur Association and regularly performs with the Central Nationalities Orchestra, "Mongolism" New Music Ensemble, the "North Lab" contemporary music group, “ZUL” Band, and is co-founder of the Morin Khuur Khoomei throat-singing quartet, “Call of the Wolf” as well as a regular collaborator with the Polish and Ukrainian folk-fusion-electronica group DAGADANA. He has participated in music festivals around the world, including the Audi Vorsprung Music Festival, the Hamburg Music Festival (Germany), the Hong Kong Arts Festival, Dadawa’s "Hear the World" tour and many others. He currently teaches at the Chinese Academy of Music.
录音师简介: 李大康
中国传媒大学音乐与录音艺术学院教授、一级录音师、中国录音师协会理事。
青少年时期学过琴、插过队、当过兵。1976年从部队复员到中国唱片社（中国唱片总公司），开始从事录音工作，工作后又在北京广播学院录音艺术专业进修。是国内最早从事立体声及环绕声的录音师之一，曾任中国唱片总公司录音技术部主任。2003年调入北京广播学院（现中国传媒大学），担任教学与科研工作。
从事录音工作近四十年，以认真负责、严谨细致的工作作风和全面扎实的录音技术以及丰富的录音实践经验著称，与国内外众多优秀艺术团体及艺术名家合作，录制了一千五百多个片号的节目，形成了自然、纯朴、细腻的音响风格。主要获奖作品有《清明上河图》获亚广联`87年会“放送基金大奖”；《台湾幻想曲》获法国“戛纳”96唱片展大奖；曾主持录制数届文化部春节晚会及新年、新春音乐会等上百场文艺演出，以及《欢庆香港回归》等数十次党和国家重大庆典活动的大型文艺演出。
Sound Engineer:
Li Dakang, currently serving as senior professor of School of Music and Recording, Communication University of China, sound engineer Li Dakang is among China’s most respected veterans of the media arts as well as an esteemed educator and venerated mentor for young professionals.
Li began his work in 1976, first, for the China Recording Association and later, accepted to the Beijing Broadcasting Institute of Recording Arts professional development program. Li became a pioneer in China’s newly developing stereo and surround technologies and would soon become director of Recording Technologies for the China Recording Corporation.
With nearly 40 years’ experience in the recording industry, Li is highly esteemed for his serious and meticulous work ethic, his breadth of knowledge of the latest technologies and his wealth of practical experience in working with a wide variety of musical styles.
Li has received numerous professional and international accolades, and is the senior sound engineering consultant for the Spring Festival Gala, the Return of Hongkong Celebration and other dozens of national celebration activities and large-scale theatrical performance.
制作人简介:叶云川
音乐制作人, 美国格莱美协会会员 , 创立中国声誉卓著的音乐品牌“瑞鸣音乐”，并任制作人，中国金唱片奖最佳音乐人特别奖获得者。从事音乐创作、制作多年，获海内外重要音乐媒体高度评价，部分作品被海外唱片公司收录出版，所制作的音乐作品在高端音乐市场得到较大认同，并远销海外，销售成绩斐然。担任制作人的唱片及音乐作品曾多次获“美国独立音乐大奖”“中国金唱片奖”“中华优秀出版奖”“华语音乐传媒大奖”等百余个奖项，在中国城市广播联盟评选“中国十大发烧唱片”中数次入选，作品多次入选“CD圣经”等海内外专业评比。因多年与国际音乐制作及出版行业的密切合作经历，音乐创作理念及制作手段具有国际化的开阔视角。
音乐创作思路坚持独特创新，风格多样，追求品质，积极进取，注重作品文化性艺术性，在行业中具有鲜明特点。倾力于挖掘发扬中国传统文化与音乐的结合，擅长用世界音乐语言及方式表现中国音乐。对中国传统文化及民族音乐有着深厚的感情，并立志成为中国民族音乐与世界文化交流的传递者。
About the Producer:
Ye Yunchuan，Producer, composer, arranger, graphic designer, Grammy member, and the founder of one of China’s most prestigious audiophile recording labels, Rhymoi Music, Ye Yunchuan is further distinguished as the first Full Voting Member of the American Grammy Awards (The National Academy for Recording Arts and Science – NARAS) representing the Chinese music industry. He is, without any question, one of the rising stars in China’s growing music industry. Prior to his current activities, Ye established an international reputation, as a composer and producer, being awarded several American Independent Music Awards, Chinese Golden Album Awards, numerous rave reviews in CD Bible (China) in addition to being included on China City Radio Association’s “Ten Hottest Albums” roundup. Years of cooperation with international music production and publication circles has provided him with a truly global perspective. As founder of his own recording label,
Rhymoi Music, he is committed to establishing new standards of excellence for recorded music in China. Rhymoi Music recordings are immediately identifiable - with their innovative approaches to programming, world-class musical and artistic standards, beauty of presentation and packaging, cultural relevance, and their conscious desire to introduce the treasures of Chinese music to an international audience - Rhymoi Music is without peer. With his deep commitment to the traditions and national music of his homeland, Ye Yunchuan is committed to building new and ever more creative and beautiful bridges between the musical heritage of China and the musical traditions of the world. Ye Yunchuan continues to realize his vision with each new recording.
演奏成员：
马头琴/潮尔：哈斯巴根
陶布秀尔/呼麦：李文斌
叶克勒：阿冷
萨满鼓：宝音
潮尔/口弦琴/和声：博尔金夫
女声长调：敖登高娃
吉他：萨茹拉赛汗（蒙古国）
班卓琴：义拉拉塔
古筝：常静
竹笛：张笛
竖琴：张小音
和声：达布希拉图 巴图巴根
Musicians:
Morin Khuur/Chao'er Fiddle: Hasibagen
Topshur Lute /Khoomei throat singing: Li Wenbin
Ikili Fiddle: A Leng
Shaman drums: Bao Yin
Khoomei throat singing / Kouxian Jew’s harp/Harmony Vocals: Boerjinfu
Female Long Song singer: Aodeng Gaowa
Guitar: Sarula Saihan
Banjo: Yilalata
Guzheng: Chang Jing
Harp: Zhang Xiaoyin
Dizi: Zhang Di
Harmony Vocals: Dabuxilatu, Batubagen
制作成员：
出品人：叶云川
制作人：叶云川
录音： 李大康
录音助理：周信怡 陶熙 闫乔峰
中文文案：稼耕 依茹
英文文案：Joshua Cheek
蒙文书法：舍布格扎布
制作统筹： 黎江
市场统筹：刘军 张威
后期协助：唐舒岩
摄影： 小叶
视觉设计：晓航
录音棚 ： 中国解放军军乐团录音棚
出品：瑞鸣音乐
Production crew:
Producer: Ye Yunchuan
Executive Producer: Ye Yunchuan
Recording Engineer: Li Dakang
Recording Assistant: Zhou Xinyi Tao Xi Yan Qiaofeng
Chinese Copywriter: Jia Gen Yi Ru
English Copywriter: Joshua Cheek
Mongolia Calligraphy：Shebugezhabu
Production Coordination: Li Jiang,
Post Production Assistant: Tang Shuyan
Market Coordination: Liu Jun, Zhang Wei
Photography: Xiao Ye
Insert Design: Xiao Hang
Recording Studio: China PLA Military Band Recording Studio
Produced by: Rhymoi Music. Co., Ltdwww.rhymoi.com
Email:rhymoi163@163.com Tel：86-10-84831327
著作权声明：本专辑所选音乐作品俱根据中国境内刊行出版物之资料登载著作权情况，如存讹漏请与我们联络。
Copyright Statement: The music and arrangements appearing on this album have been licensed in accordance with the copyright laws of China. If there are any errors, please contact us.
封底曲目：
1．故乡 7:00
Home (Improvisation)
2．金镯子 4:09
Gold Bracelet (Mongolian folksong from Qinghai)
3．罗阳姑娘 4:57
Luoyang Girl (Inner Mongolian Khorchin folksong)
4．乌拉勒吉 3:44
Buryat Flower (Buryat folksong)
5．可爱的海骝马 4:36
The Lovely Horse Rider (Inner Mongolian Xilinguole Region folksong)
6．初生的太阳 5:40
The Newborn Sun (Mongolian folksong)
7．阿拉什河 3:54
Aras River (Tuvan folksong)
8． 四季 2:53 Four Seasons (Inner Mongolian Khorchin folksong)
9．天空 4:16
Sky (Inner Mongolian Ordos folksong)
10．德恩吉图陶海 4:08
Denjitutaohai (Inner Mongolian Ordos folksong)
11．苏伯岱 4:25
Subuodai (Tuvan folksong)
12．原野上鸣叫的雉鸟 3:32
Pheasants singing in the wilderness (Inner Mongolian Zhaowuda folksong)
13．牧马人 2:31
The Wrangler (Inner Mongolian folksong)
更多>