- 序号歌曲歌手专辑时长
- 102:43
- 203:56
- 302:30
- 403:03
Jelly Roll Morton
Ferdinand Joseph LaMothe (September 20, 1885 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and early jazz pianist, bandleader and composer.
Widely recognized as a pivotal figure in early jazz, Morton is perhaps most notable as jazz's first arranger, proving that a genre rooted in improvisation could retain its essential spirit and characteristics when notated.His composition "Jelly Roll Blues" was the first published jazz composition, in 1915. Morton is also notable for naming and popularizing the "Spanish tinge" of exotic rhythms, and for penning such standards as "Wolverine Blues," "Black Bottom Stomp," and "I Thought I Heard Buddy Bolden Say", the latter a tribute to turn-of-the-century New Orleans personalities.
Reputed for his arrogance and self-promotion as often as recognized in his day for his musical talents, Morton claimed to have invented jazz outright in 1902 — much to the derision of later musicians and critics.However, jazz historian Gunther Schuller writes about Morton's "hyperbolic assertions" that there is "no proof to the contrary" and that Morton's "considerable accomplishments in themselves provide reasonable substantiation."
更多>Widely recognized as a pivotal figure in early jazz, Morton is perhaps most notable as jazz's first arranger, proving that a genre rooted in improvisation could retain its essential spirit and characteristics when notated.His composition "Jelly Roll Blues" was the first published jazz composition, in 1915. Morton is also notable for naming and popularizing the "Spanish tinge" of exotic rhythms, and for penning such standards as "Wolverine Blues," "Black Bottom Stomp," and "I Thought I Heard Buddy Bolden Say", the latter a tribute to turn-of-the-century New Orleans personalities.
Reputed for his arrogance and self-promotion as often as recognized in his day for his musical talents, Morton claimed to have invented jazz outright in 1902 — much to the derision of later musicians and critics.However, jazz historian Gunther Schuller writes about Morton's "hyperbolic assertions" that there is "no proof to the contrary" and that Morton's "considerable accomplishments in themselves provide reasonable substantiation."
收藏
作品