- 序号歌曲歌手专辑时长
- 106:50
- 204:41
- 321:27
- 411:58
- 506:16
- 610:47
- 712:26
- 807:15
- 919:13
- 1010:35
- 1114:54
- 1203:17
- 1314:02
- 1412:14
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朱芳琼
朱芳琼
汉中朱姓男，芳字辈，名琼。 1971年出⽣于陕⻄省宁陕县。⼀九九零年代中开始演出并独⽴制作⾳乐作品。
2003年发表专辑《上⻄天》后与陶⼟结缘，开始研作陶瓷乐器及陶瓷⾳响，并以⾳乐为基点跨界各种艺术的合作，逐渐延展出多种感知的可能性。
其⾳乐作品不受⻛格和形式的限制，演出现场喜于⽤当下的材料及利⽤其身所处的声场去把控⾳声构建听觉空间。
多年来的⾳乐探索致⼒于⽆界⽆碍的多种可能性，取消⾳乐与其他艺术形式之间的隔阂，建⽴⾃由⾃律的对话。
在创作中重新界定⾳乐类型、身体与乐器、乐器之间、观众与演奏者、不同审美类型之间的关系和界限。其在地⾃由即兴具有严谨的⼯作⽅法。
艺术家以⾃身为探测和感知的载体，衡量出具体演出所在地点的⽂化、历史、物理、情感能量。
Zhu Fangqiong
Born in 1971 in Ningshan, Shanxi Province in China.
He began performing and producing music independently in the mid-1990s.
Releasing of the album "Heaven to the West" in 2003.
After that, he began to develop ceramic Musical Instruments and ceramic acoustics.
And based on music, he has gradually extended various perceptual possibilities through the cooperation of various arts. His music works are not restricted by style and form, and his live performances are fond of using current materials and the sound field in which he is located to build auditory space like an architecture.
Many years of musical exploration have been devoted to the unbounded and unhindered variety of possibilities, to breaking down the barriers between music and other art forms, and to establishing a free but disciplined dialogue.
In his creation, a lot has been redefined, between music types, between bodies and instruments, between different instruments, between audience and performer, and between different aesthetic types. His free improvisation has a rigorous working method.
He, as an artist, as the carrier of detection and perception, to find and evaluate the culture, history, physics, and emotional energy of the specific location.
更多>汉中朱姓男，芳字辈，名琼。 1971年出⽣于陕⻄省宁陕县。⼀九九零年代中开始演出并独⽴制作⾳乐作品。
2003年发表专辑《上⻄天》后与陶⼟结缘，开始研作陶瓷乐器及陶瓷⾳响，并以⾳乐为基点跨界各种艺术的合作，逐渐延展出多种感知的可能性。
其⾳乐作品不受⻛格和形式的限制，演出现场喜于⽤当下的材料及利⽤其身所处的声场去把控⾳声构建听觉空间。
多年来的⾳乐探索致⼒于⽆界⽆碍的多种可能性，取消⾳乐与其他艺术形式之间的隔阂，建⽴⾃由⾃律的对话。
在创作中重新界定⾳乐类型、身体与乐器、乐器之间、观众与演奏者、不同审美类型之间的关系和界限。其在地⾃由即兴具有严谨的⼯作⽅法。
艺术家以⾃身为探测和感知的载体，衡量出具体演出所在地点的⽂化、历史、物理、情感能量。
Zhu Fangqiong
Born in 1971 in Ningshan, Shanxi Province in China.
He began performing and producing music independently in the mid-1990s.
Releasing of the album "Heaven to the West" in 2003.
After that, he began to develop ceramic Musical Instruments and ceramic acoustics.
And based on music, he has gradually extended various perceptual possibilities through the cooperation of various arts. His music works are not restricted by style and form, and his live performances are fond of using current materials and the sound field in which he is located to build auditory space like an architecture.
Many years of musical exploration have been devoted to the unbounded and unhindered variety of possibilities, to breaking down the barriers between music and other art forms, and to establishing a free but disciplined dialogue.
In his creation, a lot has been redefined, between music types, between bodies and instruments, between different instruments, between audience and performer, and between different aesthetic types. His free improvisation has a rigorous working method.
He, as an artist, as the carrier of detection and perception, to find and evaluate the culture, history, physics, and emotional energy of the specific location.
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